Karnataka's Rich Heritage – Temple Sculptures & Dancing Apsaras: An Amalgam Of Hindu Mythology, Natyasastra And Silpasastra Download Epub Mobi Pdf Fb2

 

 

 

Karnataka's Rich Heritage – Temple Sculptures & Dancing Apsaras: An Amalgam of Hindu Mythology, Natyasastra and Silpasastra

by Lalit Chugh

>>>DOWNLOAD BOOK Karnataka's Rich Heritage – Temple Sculptures & Dancing Apsaras: An Amalgam of Hindu Mythology, Natyasastra and Silpasastra

 

Nataraja, the dancing Siva sculpture, is perhaps the most well-known among all Hindu sculptures, and rightly so. It has evoked highly advanced discussions among scientists, philosophers, performing artists, art critics, art collectors, historians, archaeologists and mythologists. The Nataraja sculpture also occupies a pride of a place at CERN, the European Centre for Research in Particle Physics in Geneva.

Siva, according to Hindu Mythology, was the very first dancer in the world. All dramaturgy and dance traditions emerge from Siva’s cosmic dance. Tandu, Siva’s disciple narrated the description of Siva’s dance to Bharata Muni and he is believed to have compiled the Natyasastra, the world’s first treatise on dramaturgy, dance and other performing arts. Scholars believe that the Natyasastra was written over a long period of time between the 2nd century BCE and 2nd century CE with contributions from various sages, with its foundation having been laid by Bharata Muni.

Convergence between Hindu mythology, Natyasastra and Silpasastra was the natural outcome. Karnataka, and its temple architecture tradition, played a pioneering role in giving an artistic form to this convergence in its temple sculptures. Though this trend may have started earlier during 2nd and 3rd century CE, it started to take the center stage from the times of the Badami Chalukyas. Passing through various refinements between 5th and 10th centuries, it reached its peak with the Hoysala art. This book traces the history of temple sculpture evolution and development through the centuries by referring to the existing sculptural forms and the canonical literature that developed over time.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Karnataka's Rich Heritage – Temple Sculptures & Dancing Apsaras: An Amalgam of Hindu Mythology, Natyasastra and Silpasastra Lalit Chugh

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In their assignment as caretakers of fallen heroes, they may be compared to the valkyries of Norse mythologyGhritachi and Menaka and Rambha and Purvachitti and Swayamprabha and Urvashi and Misrakeshi and Dandagauri and Varuthini and Gopali and Sahajanya and Kumbhayoni and Prajagara and Chitrasena and Chitralekha and Saha and Madhuraswana, these and others by thousands, possessed of eyes like lotus leaves, who were employed in enticing the hearts of persons practising rigid austerities, danced thereAn entire hymn deals with the colloquy between Urvashi and her mortal lover Pururavas.[3] Later Hindu scriptures allow for the existence of numerous Apsaras, who act as the handmaidens of Indra or as dancers at his celestial courtHis first book largely covered temple architecture while the focus of this book is to establish a convergence between the Hindu mythology, Natyasastra and SilpasastraThe Apsara of Borobudur, the flying celestial maiden depicted in a bas-relief of the 9th-century Borobudur temple, Java, IndonesiaGriffith is available online at sacred-texts.com

 

KBBIAll links retrieved April 9, 2016They are the wives of the Gandharvas, court servants of IndraPublication Division, Ministry of Information and Broadcasting, Government of IndiaAn Apsara (Sanskrit: : apsar, plural : apsarasa) is a female spirit of the clouds and waters in Hindu and Buddhist mythologyThey are youthful and elegant, and superb in the art of dancingBanerjee, P.Apsaras in Indian Dance^ Rig Veda, Book X, Hymn 95Rig Veda

 

Later in the Javanese tradition the apsara was also called Hapsari, also known as Widodari (from sanskrit word Vidhyadhari, vidhya: knowledge, dharya: having, bearer, or bringer), and finally known as Bidadari in the modern Indonesian language[9] (the same form of the word is now present in the Malay language, as well)Exploits of individual Apsaras[edit]Journeys across Karnataka: Kalmeshwara temple, Jalasangi CELESTIAL APSARA'S & GANDHARVA'S Pinterest Temples and Karnataka The Javanese Hindu-Buddhist tradition also influenced Bali^ ^ Di Giovine, Michael AApsaras were also an important motif in the art of Champa, medieval Angkor's neighbor to the east along the coast of what is now central Vietnam 3cf411504a

Lalit Chugh

 

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